居所

The Residence

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作為居所而言，一個建筑（室內）究竟要帶給我們什么樣的反饋，其實沒有標準答案。

There is no standard answer as to what kind of feedback a building should bring to us as a residence.

但因其建筑形式的不同，以及使用者訴求的不同，我們則可能幫助使用者盡可能的去找到一個更為合適的呈現方式。所以，該項目也不例外，甚至因其訴求的獨特性，而具備一定的思考價值。

But because of the different forms of architecture and the different demands of the owner, we will help them to find a more suitable way of presentation as much as possible. Therefore, this project is also in the same way, and even has a certain value of consideration due to its uniqueness.

態度

The Posture

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我們都需要一所房子，或大或小，去安放自己的肉體與靈魂。但大多數時候，能滿足其身體的舒適性（物質訴求），已然不易。而精神訴求的表達，則與使用者的意識態度息息相關。他們究竟需要一個怎樣的精神場域，又或者說她們愿意付出怎樣的成本代價去獲得這一可能性，至關重要。這，便是使用者的生活態度。

We all need a house, no matter how big or small, to house our body and soul. But most of the time, it can satisfy the comfort of the body. The expression of spiritual aspirations, on the other hand, is actually closely related to the conscious attitude of the owner. What kind of spiritual field they need, or what cost they are willing to pay to obtain this possibility, is crucial. This is the owner's attitude to life.

但一個優秀空間的落成，并非一己之力便可達成的。除開業主的意識態度和落地支持以外。設計師的態度也尤為重要。作為設計師，我們怎么看待使用者的真實訴求，真正去尊重使用者的意圖，是其中的關鍵。并且，事無巨細，也并非大的空間尺度和高投入，才能做出好設計。于是，在面對這個50多平米的一人居時，設計的價值，反而被放大到了一定的程度。

But the completion of a great space is not something that can be achieved by myself personally. In addition to the owner's conscious attitude and support, the designer's attitude is also important. As a designer, how we look at the owner's real demand, really respect the owner's intention, it is a point. Moreover, it is not a matter of large space scale and high investment to make a good design. Thus, when facing this 50 square metres of one person living in a house, the value of design is instead magnified to a certain extent.

訴求

The Requirement

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極致的舒適，是業主“唯一”的訴求。但看似簡單的訴求之下，又飽含著頗多的細節。

The ultimate in comfort is the owner's only demand. But underneath the seemingly simple demands, there are many details.

首先，舒適可被細分為：身體的舒適、精神的舒適、燈光的舒適、色調的舒適、交通動線的舒適、功能便利性和完整性的舒適、以及空間尺度的舒適等等。

Firstly, comfort can be subdivided into: physical comfort, mental comfort, lighting comfort, tonal comfort, circulation comfort, functional convenience and integrity comfort, and spatial scale comfort, to name a few.

但在一個50多平米的空間里如何裝下這么多的細節，是我們的主要設計任務。于是，設計從最基本的功能細節入手。讓每一個區域都得到了最好的分配和利用。入戶的玄關串聯起了廚房與餐廳的動線，廚房則聯動了生活陽臺；同時，鞋帽柜與餐廳的冰箱柜也進行了聯動，而從弱化了區域的界限。抬高的地臺，是餐廳和衛生間的區域，這樣的設置，使得處在主動線上的小餐廳顯得更加獨立且重要。

But, how to fit so many details in a space of more than 50 square metres was our main design task. So, we started our design with the most basic details. So that every area space can be utilised in the best possible way. The entrance doorway connects the kitchen with the dining kitchen and the living balcony on the side, reflecting the circulation of the space. At the same time, the shoe and hat cabinet and the refrigerator cabinet in the dining room are also designed, while from the finishing touches to the boundaries of the area. The raised floor, is the area of the dining room and bathroom, in such a way that makes the dining room seems more independent and important.

而客廳則兼顧了minibar和收藏展示的功能，讓咖啡及收藏得到功能的釋放同時，讓客廳氛圍營造得到了最佳的呈現。同時，為了更好的解決空調設備等問題，我們利用現有梁網關系，對頂面進行了重組，在盡可能保證層高的前提下，解決了設備的安放與裝飾。

And the living room contains the function of minibar and collection display, at the same time let the coffee and collection items get space release also let the living room atmosphere create the best presentation. Secondly, in order to better solve the problem of air-conditioning equipment, we made use of the existing space and reorganised the top, solving the problem of placing and decorating the equipment under the premise of guaranteeing the height of the floor as much as possible.

再往里走是與臥室聯動的衣帽間，衣帽柜的柜門則充當了衣柜與房門的雙重作用，開窗的位置則留給了化妝臺。為了獲得更大的空間尺度，臥室與衣帽間之間也取消了傳統的隔墻關系，而是利用衣柜的功能，分斷了兩者之間的關系，床頭背景的木作也與衣柜聯動，形成了視覺上的統一，弱化了相對狹小的物理空間關系。至此，整個空間，一氣呵成。

Further inside is the cloakroom linked to the bedroom, where the doors of the cloakroom are converted into a boundary between the wardrobe and the door of the room, and the position of the window is reserved for the dressing table. In order to obtain a greater spatial vision, between the bedroom and the cloakroom also cancelled the traditional partition wall relationship, we use the function of the wardrobe, divided the relationship between the two, the bedside background of the woods stuff is also presented with the wardrobe, forming a visual unity, weakened the relatively small physical space relationship. Making the whole space, forming a unity.

感受

The Feeling

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除開功能空間的動線舒適性，使用者的感知感受也是舒適性的重要評判標準。所以無論在材質關系和色調搭配上，我們都做了相對深度的思考。

In addition to the circulation comfort of the functional space, the owner's feeling is also the judgement standard of comfort. Therefore, we have done relatively in-depth thinking in terms of material relationship and colour matching.

但在小空間里，層次細節往往比大空間更為重要。如果按照常規的做法，大面積統一的材質、顏色關系，勢必讓這樣的小尺度空間顯得既單薄又空洞，所以怎么讓其層次豐富，又不凌亂，是其設計規劃的宗旨。

But in small spaces, the level details are often more important than large spaces. If in accordance with conventional practice, large areas of uniform material and colour relationships, will make such small-scale space appears both thin and boring, so how to make its level rich, but not messy, is the goal of its design and planning.

于是，大面積色調以富有層次包裹感的淺駝色為主，并通過技術手段，保障了基礎木作與墻體大面積涂料在視覺上的統一性，并延伸至頂面。而柚木的材質則作為了空間關系里，情緒表達的關鍵。溫暖且干凈的柚木，讓小小的空間里有了溫度，但又不顯得笨重和粗糙。

Thus, the large colour palette is dominated by a layered light camel colour, and the visual unity of the basic woodwork and the large paint on the walls is guaranteed by technical means and extended to the top surface. And the material of teak is the key to the emotional expression in the spatial relationship. Warm and clean teak wood gives temperature to the small space without being bulky and rough.

而黑色（包含深灰色）跟綠色的材質，則是起到了空間點綴的作用，讓空間層次更為豐富的同時，進一步豐富了空間情緒，延展是視覺景深關系，從而減小了因物理尺度而帶來的空間壓迫感。再配合恰到好處且層次豐滿的燈光，讓小小的空間里，趣味橫生。

The black and green materials are for embellishment, making the space more rich, further enriching the spatial mood, extending the visual depth of field relationship, thus reducing the physical scale of the space brought about by the sense of oppression. Combined with the lighting, the small space is full of fun.

使用

Usage

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作為一人居的空間，業主的實際使用感受，是最后論證空間設計好壞的終極標準。

As a space for human habitation, the owner's feeling of actual use is the ultimate criterion to prove that the space design is good or not.

動線的完整、功能的全面與便捷、使用的趣味性、以及空間的情緒感都在這一空間中得到了釋放。與其說，我們在設計一個家，不如把它理解為業主的歡樂窩。

The completeness of the circulation of the dynamic space, the comprehensiveness and convenience of the function, the fun of the use, and the sense of the mood of the space are all unleashed in this space. Instead of designing a home, it is better to understand it as the owner's nest of joy.

因為一人居的特殊性，它與常規家庭用房實則大不相同，如何滿足業主自身的偏好，極大的愉悅業主自身的生活狀態，體現“自我”的價值，才是設計的根本。而這，本身就是一種生活的態度，面對未來的積極態度。

Because of the special nature of a human habitat, it is very different from the conventional family room, how to meet the owner's own preferences, greatly delight the owner's own state of life, reflecting the value of self, is the fundamental design. This, in itself, is an attitude towards life, a positive attitude towards the future.

所以，作為設計師，我們有幸去實現一個真實的理想，營造屬于她自己的一個小小“世界”，也是我們對于生活的期許，以及面對設計工作的真實態度。

Therefore, as a designer, we have the honour to realise a true ideal, to create a small "world" of her own, which is also our expectation of life, and the true attitude towards design work.

項目信息

Information

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項目名稱：一個人的態度

Project Name： A person's attitude

項目地點：中國 · 重慶

Project Location：Chongqing, China

設計總監：文超

Design Director：Steven

設計團隊：jsd . 簡璞

Design Team: JSD

全案統籌：jsd . 簡璞

Overall Project Coordinator：JSD

建筑面積：50平方米

Building Area: 50㎡

空間攝影：邊界人&文超

Photography: Borderman & Steven

物料支持：立邦魔術漆、遇光照明、玫瑰島、龜一水磨石、書香門地、若集安室、帝豪木作定制、方太玥影、叕木（排名不分先后）

Material Support: Nippon Magic Paint, Yuguang Lighting, ROSERY, GUIYI Terrazzo, Arte Mundi, Ruoji Anshi, Deaho Woodwork, Fotile Yueying Series, ZHUOMU. (Regardless of Ranking)